By Simon Loxley
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Extra info for Type: The Secret History of Letters
If he’s a fake, then he’s the most successful one in the history of human communication. As well as the statue in the Prinsenhof, what is said to have been Coster’s house on the north side of the Grote Markt carries a memorial niche, Coster again holding his favourite letter. And there too stands the giant statue, The adventure and the art Typographical tourism: Coster’s statue is still a prominent Haarlem attraction, featured here on a contemporary postcard. If he’s a fake, then he’s a real fake.
The gallery’s collection had an unusual birth, assembled in the s as a national collection for Stanislaus Poniatowski, the King of Poland. But by the time the pictures were assembled, neither Poniatowski nor Poland was there to receive them. The country had disappeared from the map of Europe, partitioned for the third and nal time by its voracious neighbours, and Poniatowski had been forced to abdicate. The inheritor of the pictures left a bequest to Dulwich College to build a permanent gallery for them, with a wish for the architect to be his friend Sir John Soane.
But until recently it formed part of Ironmonger Row, where Caslon moved his premises in . It was at these two addresses that Caslon’s fortune and reputation were made. There was once a Caslon Street immediately to the east of Ironmonger Row, rechristened in his honour in the s. Bethnal Green, to whose rural charms William I was to retire, had a Caslon Place. Both are now gone, obliterated by modern developments. Although William I was to become celebrated for his roman alphabets, his rst notable successes were in cutting Eastern founts.