By Bryan Doerries
This can be the non-public and deeply passionate tale of a existence dedicated to reclaiming the undying strength of an historic creative culture to convenience the troubled. For years, theater director Bryan Doerries has led an cutting edge public future health undertaking that produces historic tragedies for present and back squaddies, addicts, twister and typhoon survivors, and quite a lot of different at-risk humans in society.
Drawing on those awesome firsthand stories, Doerries essentially and powerfully illustrates the redemptive and healing power of this classical, undying paintings: how, for instance, Ajax will help infantrymen and their household higher comprehend and grapple with PTSD, or how Prometheus Bound presents new insights into the trendy penal procedure. those performs are revivified not only in how Doerries applies them to communal difficulties of this present day, yet within the method he interprets them himself from the traditional Greek, deftly and expertly rendering enduring truths in modern and amazing English.
The originality and generosity of Doerries's paintings is startling, and The Theater of War--wholly unsentimental, yet intensely felt and emotionally engaging--is a humane, an expert, and obtainable ebook that may either encourage and enlighten. Tracing a direction that hyperlinks the private to the inventive to the social and again back, Doerries indicates us how pain and therapeutic are a part of a undying method during which discussion and empathy are inextricably linked.
From the Hardcover edition.
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Additional info for The Theater of War: What Ancient Greek Tragedies Can Teach Us Today
You see, the truth is, I don’t have an address. No address. No phone number. I actually live in a tent. With my dad. In the trees. We’re in a small patch of forest between a shopping plaza and the street. ” I chanced a look her way. Her eyes were on a couple sitting on the bench to the side of us. They were kissing. I figured it was safe to continue. Inna wasn’t really paying attention, and I don’t think she caught all of what I was saying. I must have needed to tell my story even if Inna didn’t understand all of the words.
All I could see was my dad’s face as he sent 50 Living Rough out résumé after résumé. But instead of plowing Paul, I slammed my chair into the floor. “My dad lost his job because he spent every day at the hospital caring for my mom. ” “We didn’t know,” said Janie. “We didn’t mean…” Janie and Shane exchanged glances. I could feel my cheeks burning with shame. I wondered what they were thinking. Then Mr. Brock returned to our table. If they suspected I was homeless, I hoped they wouldn’t say anything to our teacher.
At our school, social justice classes were only for grade eleven and twelve students. As Mr. Brock circulated around the room, he handed various newspaper stories out to each table of students. My table got the story that he’d projected onto the screen yesterday. 43 Crist y Watson I felt my knees wobble. “I want one member of each group to read the article aloud to your table. Then I want you to talk about what you’ve read and what it means to you. ” Mr. Brock was a blur, and his words just as fuzzy.