By Ibrahim al-Koni
From the award-winning writer of Anubis and Gold dirt
In the traditional Egyptian faith, Seth is the evil god who out of jealousy slays his brother Osiris, the nice god of agriculture, to grab the throne. Seth is, even if, additionally the god of the wilderness and hence a benevolent champion of desolate tract dwellers just like the routinely nomadic Tuareg. within the Seven Veils of Seth, al-Koni attracts at the stress among those opposing visions of Seth to create a singular that still presents a shiny account of lifestyle in a Tuareg oasis. Isan—either Seth himself or a latter-day avatar— is a desert-wandering seer and proponent of wasteland lifestyles. while he settles for a longer remain in a fertile oasis, the consequences are disastrous, and we come across infanticide, betrayal, metamorphosis, and homicide. Tuareg folklore, Egyptian mythology, Russian literature, and medieval eu idea are all a part of this existential mirrored image on existence within which in point of fact elusive, a mirage pulsing on the horizon.
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Additional info for The Seven Veils of Seth (Modern Arabic Literature)
The maid opened the attic window and had a lengthy exchange with a man down below, in the road. He had come for the doctor; he had a letter. Shivering, Nastasie climbed down the stairs and ﬁrst undid the lock, then drew the bolts. Leaving his horse, the man quickly followed the maid and came into the room behind her. He wore a woollen cap with grey pompoms, and from inside it he took a letter wrapped in a piece of rag; this he handed gingerly to Charles, who propped himself up on the pillow to read it.
She was forever consulting lawyers, or the magistrate, remembering when an account was due and negotiating an extension; at home she ironed, sewed, laundered, kept an eye on the workmen and paid their wages, while Monsieur never worried his head about a thing, engulfed in a surly drowsiness from which he roused himself only to mutter some nasty remark, as he sat all day long by the ﬁre, smoking and spitting into the ashes. When she had a child, he had to be sent out to a wet-nurse. Once home again with his parents, the lad was pampered like a prince.
All of a sudden he heard something hit the wall; the shutter had been folded back, the latch was still vibrating. Next morning he was at the farm by nine. Emma blushed when he came in, although she tried to cover her embarrassment with a little laugh. Père Rouault embraced his future son-in-law. They put oﬀ any discussion of money matters, there was plenty of time for that, since the marriage could not decently take place before the end of Charles’s mourning, that is to say, not until the following spring.