Download The Question of Language in Heidegger’s History of Being by Robert Bernasconi PDF

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By Robert Bernasconi

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For Plato, the discordance between art and truth is a felicitous one, a severance that as an opening up of Being, is at bottom a concordance (NI 219-20; Ni 189). For Platonism, the discordance is effaced. For Nietzsche, the discordance arouses dread (Entsetzen). In that way we find in the history of Plato's text the concealed history of the metaphysical tradition and its overcoming. ). Similarly, although Nietzsche follows Schopenhauer's aesthetical reading of Kant's notion of disinterestedness, Nietzsche himself with the notion of "rapture" evades an aesthetical description of our relation to the artwork.

257. Thomas Aquinas, Quaestiones Disputatae I. De Veritate, qu. 1, art. 1 (Turin: Marietti, 1964), p. 3; trans. R. Mulligan, The Disputed Questions on Truth qu. 1, art. 1 (Chicago; Regnery, 1952), p. 7. See A. Altmann and S. Stern, Isaac Israeli (Westport: Greenwood, 1979), p. 58-59. 2. Such a reading of a-letheia is indicated by the following sentence from "On the Essence of Truth": "The concealment of beings as a whole, untruth proper, is older than every openness of this or that being," Wegmarken; p.

170; trans. I. Sprung, "Plato and Heidegger," The Question of Being, edited by M. : Pennsylvania State University Press, 1978), p. 49. 12. The protocols of the seminars do not, of course, have the same textural authority as the texts Heidegger himself prepared for publication, but Heidegger himself cooperated when they were translated from French into German and the remark is somewhat emphatic: "Was hier gesagt ist, stimmt nicht; Parmenides sagt nichts Derartiges" (Vier Seminare p. 133). 13. On the notion of trace (Spur) in Heidegger, see J.

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