By Gary Lee Downey
First released in 1998. Routledge is an imprint of Taylor & Francis, an informa corporation.
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Additional resources for The Machine in Me: An Anthropologist Sits Among Computer Engineers
Those people who even considered arguing that CAD/CAM technology was less than wonderfully promising were putting their careers on the line, risking the challenge that they were anti-CAD/CAM and, hence, fundamentally anti-technology, anti-progress, and anti-American. , IMAGES COUNT I 17 displaced labor, the concentration of control in fewer hands, heavy reliance on mathematical modeling in engineering design, decline of hands-on skills, using limited resources on expensive equipment, and so forth.
The technology's term of office in the nationalist spotlight had passed, and it became possible to criticize CAD/CAM. " Rather than breaking down the wall between design and manufacturing, CAD/CAM technology had tended to emphasize design considerations and practices, sometimes to the exclusion of manufacturing considerations and practices. In many ways, the history of CAD/CAM had become the development of CAD/cam. But to say that CAD/CAM technology did not fulfill the nationalist agenda is not to say that the technology was a failure in some thoroughgoing sense.
What comprised this take-off? What drove people in large and small industries alike to lunge after this new technology? How did they understand the promises and threats of CAD/CAM technology? This chapter inquires into the attractions of CAD/CAM technologies by exploring images involved in selling and buying them, identifying both what they make visible and what they hide. , behind its main software product, AutoCAD. Founded in 1982 by a loose collection of computer programmers, Autodesk grew in less than seven years into the world's fifth largest software developer, with $100 million in the bank, annual gross revenues of $500 million, and no debt.