By James Scott Bell
Effectively beginning and completing a publishable novel is frequently like struggling with a chain of battles - opposed to the web page, opposed to one's personal self-doubt, opposed to rebellious characters, and so on. that includes undying, cutting edge, and concise writing ideas and targeted routines, this e-book is the last word conflict plan and extra - it truly is solar Tzu's "The artwork of battle" for novelists. strategies and workouts are supplied on thought iteration and improvement, personality construction, plotting, drafting, querying and filing, facing rejection, dealing with envy and unrealistic expectancies, and masses extra.
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Extra info for The Art of War for Writers: Fiction Writing Strategies, Tactics, and Exercises
No sale. There are many ways a writer can give off the scent of desperation. And believe me, agents and editors can pick up that scent f r o m a distance of three hundred yards. When they smell it, they mentally spray themselves with repellent that puts up an instant protective shield. Horror stories about inappropriate pitches are legion among editors. Such as the limo driver who, instead of heading to the airport, went to a dark, empty lot, stopped, and insisted the editor read his screenplay.
Which is the page in front of you. Making it the best it can be. " Whining will not help you win the battle for publication. Every moment spent whining about your writing career is a moment of creative energy lost. "1 The biggest mental obstacle—in writing, in war, in life itself—is fear. Fear paralyzes. It shrinks the mental faculties. It keeps us from action, in this case, writing words in order to get them published. And while fear is a fact of existence, it need not lead to defeat. Consider a certain a m o u n t of fear to be a built-in mechanism to keep us alert.
EXEMPLARS Start with the authors you admire, the ones whose novels do the most for you. Find several paragraphs or pages in their books that really sing. Make copies of these o u t s t a n d i n g pages, a n d p u t them in this section. Every now and again t u r n to one of these examples and write it out, word for word. Next, read the words out loud. The idea is n o t to try to become an exact copy of the writer you admire. Rather, you are incorporating rhythms and possibilities into your own inner wiring.