By Pamela Burnard (auth.), Pamela Burnard, Sarah Hennessy (eds.)
This publication is concentrated at the position of reflective perform, as a resource and source for instructing and studying, and examine within the arts. It goals to enquire the concept that of mirrored image and its software to quite a number modern arts schooling contexts for either academics and newbies. For starting and skilled lecturers the ebook bargains sensible principles and frameworks for pondering severely approximately their very own instructing (and studying) in addition to delivering insights into paintings occurring in different arts disciplines. The starting to be box of arts partnerships and artist/educators can also be good represented through case reports and outlines of particular useful strategies.
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Additional info for Reflective Practices in Arts Education
To return to my opening critique of reflection, the danger, perhaps, is that we allow it to become constitutive of our shared moral endeavours rather than constituted by them. Reflection is one of the deliberative strategies we use to explore collectively what is worthwhile in knowledge. REFERENCES Elliott, J. (1998). The Curriculum Experiment. Buckingham: Open University Press. Kushner, S. (2000). Personalising Evaluation. London: Sage. Kushner, S. (1992). The Music Case: Innovation in the Conservatoire.
Badawi (1996) wrote: It is imperative to formulate regulations that help Muslims live in accordance with the sharia (Islamic law) within a non-Islamic society, while 32 DIANA HARRIS at the same time being citizens of that country . . there is absolutely no need to place those Muslims who are learning music . . outside the pale (pp. 18 and 24). REFERENCES Abbas, T. (2004). After 9/11: British South Asian Muslims, Islamophobia, multiculturalism, and the State. American Journal of Islamic Social Studies, 21(3), 26–38.
Teachers cannot question national educational goals and purposes. This is to say that the moral (reflective) trajectories of young people and their teachers are moving in different directions and at different speeds. While young people spend their lives reflecting, teachers are busy with compliance and survival. Teachers struggle to find independent, autonomous action for Stenhousian projects. At the time of writing, England is traumatised by the sudden emergence of suicide bombing, taken aback by the apparent spontaneity of its horrible emergence.