Download Mobile Design Pattern Gallery: UI Patterns for Smartphone by Theresa Neil PDF

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By Theresa Neil

While you’re stressed to provide a well-designed, easy-to-navigate cellular app, there’s no time to reinvent the wheel—and no use to. this useful reference offers greater than ninety cellular app layout styles, illustrated by means of 1,000 screenshots from present Android, iOS, and home windows cellphone apps.

Much has replaced because this book’s first variation. cellular OSes became more and more diversified, riding their very own layout conventions and styles, and plenty of designers have embraced mobile-centric considering. during this variation, consumer event specialist Theresa Neil walks product managers, designers, and builders via layout styles in eleven categories:

* Navigation: get styles for fundamental and secondary navigation
* varieties: holiday industry-wide behavior of undesirable shape design
* Tables: reveal basically an important information
* seek, variety, and clear out: make those features effortless to use
* instruments: create the semblance of direct interaction
* Charts: research top practices for simple chart design
* Tutorials & invites: invite clients to start and notice features
* Social: aid clients attach and develop into a part of the group
* suggestions & Accordance: supply clients with well timed feedback
* support: combine support pages right into a smaller shape factor
* Anti-Patterns: what to not do whilst designing a cellular app

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Mobile Design Pattern Gallery: UI Patterns for Smartphone (2nd Edition)

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Additional resources for Mobile Design Pattern Gallery: UI Patterns for Smartphone (2nd Edition)

Sample text

The term “beautiful” has a host of meanings, depending on context; here, we’re not talking about beauty to mean “pretty” or “serene and delicate” or even “sensuous” in an academic, Beaux-Arts, home-furnishings-catalog way. Aggressive, ripped, collaged illustrations are beautiful; chunky People often overlook the potential of abstract form—or, for that matter, the abstract visual qualities of images such as photographs. This form study uses paper to investigate that very idea in a highly abstract way.

The closer the dots are to each other, the more powerful the sense of their unique identity as objects; the further apart, the more pronounced the sense of structure, induced by the invisible path between them. Additional dots in close proximity to the pair, however, reduce the focus on identity and increase attention to their reciprocal relationship and, thus, a sense of structure or meaning. How far are the dots from each other? Is each dot the same distance from its counterparts? What is their configuration, and what outer shape does it make?

Indd 32 12/19/13 3:10 PM 1/14/14 5:00 PM TEXT (F39)_Job:12-40337 Title:RP-Design Elements 2nd Edition 01-AC70319 #175 Dtp:160 Page:32 026-085_403 026-085_403 st use d ; is trying to convey. The logic of composition—the visual order and relationships of the figure and ground—is entirely abstract, but depends greatly on how the brain interprets the information that the viewer sees. Visual logic, all by itself, can also carry meaning. An extremely active relationship between figure and ground might be appropriate for one kind of communication, conveying energy, growth, and aggression; a static relationship, communicating messages such as quietness, restraint, or contemplation, might be equally appropriate in another context.

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