Download Manuale di scrittura creativa by Franco Gaudiano PDF

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By Franco Gaudiano

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Lo stesso dicasi per qualsiasi intervallo di tempo morto o per descrizioni ovvie che possono essere supplite dall‟immaginazione del lettore. In breve: evitare transizioni inutili. Infine, qualche raccomandazione sulla credibilità di una storia. Credibilità non è sinonimo di realismo. Anche la fantascienza più immaginativa, anche il realismo magico, la fantasy, l‟horror e altri generi altamente immaginosi rispondono ad alcune regole imprescindibili di credibilità interna. Se un personaggio viene gravemente ferito in un combattimento, non lo si può mostrare in perfetta forma il giorno dopo (a meno che non vi sia una cura magica spiegata ed accettata nel “mondo” della vostra storia).

La sua iniziale «attenzione e precisione» al lavoro è posta in contrasto alla pazzia farneticante finale. I pedinamenti segreti e l‟ostinato non rivelarsi di Maria sono le armi masochistiche con cui ella pedina la propria stessa infelicità senza avere il coraggio di fare qualcosa, in un continuo crescendo di tensione emotiva. E così, passo dopo passo, il taglio drammatico di questa storia è accentuato e ampliato durante tutto il suo svolgimento. Ogni elemento può e deve rientrare in una linea direttiva, poiché una trama ben ideata è la sapiente concatenazione di azioni e reazioni messe insieme in modo da rivelare la carica drammatica ed emotiva della narrazione, che si tratti di un racconto, di un romanzo o di un film.

Nessuno può “insegnarvi” il vostro modo di esprimervi, né ciò sarebbe desiderabile: ucciderebbe l‟anima del vostro modo di essere! Quello che ci proponiamo di fare è, piuttosto, seguire un cammino che liberi il vostro modo di essere e quindi dia voce e forza espressiva al vostro stile. I due nemici da affrontare e sgominare prima di tutto sono la pigrizia e 37 la paura. Sì: la tua pigrizia, e la tua paura. Tutti noi siamo pigri. Se adocchiamo una scorciatoia siamo subito tentati di lasciare la via maestra.

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