By A. Bowdoin Van Riper
All through its lengthy and colourful historical past, Walt Disney Studios has produced ratings of flicks designed to teach moviegoers in addition to entertain them. those productions variety from the True-Life Adventures nature documentaries and such depictions of state of the art expertise as guy in house and Our good friend the Atom, to wartime propaganda shorts (Education for Death), public-health motion pictures (VD assault Plan) and assurance of unique cultures (The Ama ladies, Blue males of Morocco). Even Disney's dramatic recreations of ancient occasions (Ten Who Dared, Invincible) have had their proportion of academic worth. all the essays during this quantity makes a speciality of a special form of Disney "edutainment" movie. jointly they supply the 1st complete examine Walt Disney's ongoing project to notify and enlighten his around the world viewers.
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Additional info for Learning from Mickey, Donald and Walt: Essays on Disney's Edutainment Films
The Globe Presents ‘Victory Through Airpower,’ a Disney Illustration of Major de Seversky’s Book,” New York Times, 19 July 1943. res=9404EFDF1738E33BBC4152DFB1668388659EDE 14. Philip T. Hartung, “Winged Victory,” The Commonweal, 6 August 1943: 393 –94. 15. Watts, 236. 16. S. Army Air Forces 27, no. 1 (1944): 32–33. 17. Brigadier General Robert W. 2, Training Films, July 1, 1943 –September 5, 1943, RG 18 (AAF), NACP. 38 Section I: War and Propaganda 18. Roy O. Disney to Brigadier General Robert W.
Maltin, 42; Shale, 17. 19. This is a strategy that Disney would continue to adopt after the war when, for example, the opening sections of the 1943 ﬁlm Victory Through Air Power would reappear in the 1957 Man in Flight episode of the Disneyland TV series and the 1963 episode Fly with Von Drake. 20. “5-for-4” refers to the government promotional offer selling ﬁve dollars’ worth of savings certiﬁcates for four dollars. 21. Gabler, 183. 22. John Grant, Encylopedia of Walt Disney’s Animated Characters (New York: Harper & Row, 1987), 55.
During this sequence, the ﬁlm integrates live-action close ups and medium shots of a bombardier performing regulation procedures followed immediately by an animated aerial view of a bomber moving according to the adjustments made by the bombardier as shown in the previous two. 42 While the FMPU is credited prominently as working “in cooperation” with the studio in the opening titles of both ﬁlms in the series, the exact nature of this cooperation — once Krasna had been eliminated as “General Supervisor”— remains unclear.