By Jon Prosser
Simply what's an image worthy? Qualitative learn is ruled by means of language. besides the fact that, researchers have lately proven a starting to be curiosity in adopting an image-based process. this can be the 1st quantity devoted to exploring this technique and may turn out a useful sourcebook for researchers within the box. The booklet covers a wide scope, together with concept and the examine approach; and offers functional examples of the way image-based learn is utilized within the box. The publication covers a wide scope, together with idea and the study approach; and offers useful examples of the way image-based learn is utilized within the box. It discusses use of pictures: in baby abuse research; exploring kid's drawings in wellbeing and fitness schooling; cartoons; the media and academics.
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Additional info for Image-based Research: A Sourcebook for Qualitative Researchers
OWENS, B. (1973) Suburbia, San Francisco: Straight Arrow Books. PIERCE, O. (1996) Up River, Hanover: The University Press of New England. PROSSER, J. ’, Visual Sociology, 11, 2, pp. 25–34. PUGH, S. ) (1990) Reading Landscape, County, City, Capital. Manchester: Manchester University Press. QUINNEY, R. (1995) ‘A sense sublime: Visual sociology as a fine art’, Visual Sociology, 19, 1–2, pp. 61–84. RIEGER, J. (1996) ‘Photographing social change’, Visual Sociology, 11, 1, pp. 5–49. A. (1971) (1890) How the Other Half Lives, New York: Dover.
1979) ‘The early history of visual sociology’, in WAGNER, J. ) Images of Information: Still Photography in the Social Sciences, Beverly Hills: Sage. STRYKER, R. and WOOD, N. (1973) In This Proud Land, Greenwich: New York Graphic Society. M. (1994) No Easy Walk: Newark, 1980–93, Philadelphia: Temple University Press. SUDNOW, D. (1978) Ways of the Hand: The Organization of Improvised Conduct, Cambridge: Harvard University Press. TAGG, J. (1988) The Burden of Representation: Essays on Photographies and Histories, Basingstoke: Macmillan.
See David McDougall, 1994; Lansing, 1989; and Lydall, Bishop, and Tomaselli’s contribution to Boonzajer and Harper, 1993. This perspective, however, is rooted in a Marxist frame. For example, John Tagg states: ‘The photograph is not a magical “emanation” but a material product of a material apparatus set to work in specific contexts, by specific forces, for more or less defined purposes’ (1988, 3). This brief reference points only to a sampling of the major texts, which would profitably include Adorno, 1984; Benjamin, 1973; Lukacs, 1971; and Marcuse, 1964.