Download Image-based Research: A Sourcebook for Qualitative by Jon Prosser PDF

By Jon Prosser

Simply what's an image worthy? Qualitative learn is ruled by means of language. besides the fact that, researchers have lately proven a starting to be curiosity in adopting an image-based process. this can be the 1st quantity devoted to exploring this technique and may turn out a useful sourcebook for researchers within the box. The booklet covers a wide scope, together with concept and the examine approach; and offers functional examples of the way image-based learn is utilized within the box. The publication covers a wide scope, together with idea and the study approach; and offers useful examples of the way image-based learn is utilized within the box. It discusses use of pictures: in baby abuse research; exploring kid's drawings in wellbeing and fitness schooling; cartoons; the media and academics.

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OWENS, B. (1973) Suburbia, San Francisco: Straight Arrow Books. PIERCE, O. (1996) Up River, Hanover: The University Press of New England. PROSSER, J. ’, Visual Sociology, 11, 2, pp. 25–34. PUGH, S. ) (1990) Reading Landscape, County, City, Capital. Manchester: Manchester University Press. QUINNEY, R. (1995) ‘A sense sublime: Visual sociology as a fine art’, Visual Sociology, 19, 1–2, pp. 61–84. RIEGER, J. (1996) ‘Photographing social change’, Visual Sociology, 11, 1, pp. 5–49. A. (1971) (1890) How the Other Half Lives, New York: Dover.

1979) ‘The early history of visual sociology’, in WAGNER, J. ) Images of Information: Still Photography in the Social Sciences, Beverly Hills: Sage. STRYKER, R. and WOOD, N. (1973) In This Proud Land, Greenwich: New York Graphic Society. M. (1994) No Easy Walk: Newark, 1980–93, Philadelphia: Temple University Press. SUDNOW, D. (1978) Ways of the Hand: The Organization of Improvised Conduct, Cambridge: Harvard University Press. TAGG, J. (1988) The Burden of Representation: Essays on Photographies and Histories, Basingstoke: Macmillan.

See David McDougall, 1994; Lansing, 1989; and Lydall, Bishop, and Tomaselli’s contribution to Boonzajer and Harper, 1993. This perspective, however, is rooted in a Marxist frame. For example, John Tagg states: ‘The photograph is not a magical “emanation” but a material product of a material apparatus set to work in specific contexts, by specific forces, for more or less defined purposes’ (1988, 3). This brief reference points only to a sampling of the major texts, which would profitably include Adorno, 1984; Benjamin, 1973; Lukacs, 1971; and Marcuse, 1964.

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