Download Guardar lontano veder vicino. Esercizi di curiosità e storie by Philippe Daverio PDF

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By Philippe Daverio

Un viaggio iniziatico nel Rinascimento italiano. L’esercizio della curiosità vi porterà advert alzare lo sguardo consistent with guardar lontano, abbracciando i complessi intrecci della storia, e a veder vicino, direttamente dentro le immagini.

“Questo non sarà mai un libro di Storia dell’Arte, con le due auliche maiuscole, non assomiglia a uno di quei tomi scolastici che hanno forse lasciato tedio e sonnolenza sui banchi di scuola, ma è piuttosto un viaggio esoterico nelle storie dell’arte.” specialty della sua esperienza di autore e conduttore televisivo, Philippe Daverio non è mai banalmente divulgativo, non intende semplificare fenomeni complessi, ma affronta le vicende degli artisti, delle opere e dei committenti secondo un metodo d’indagine che è diventato los angeles sua cifra personale: sa guardare da lontano o accostarsi in line with vedere da vicino. Ogni suo nuovo libro è un’avventura che apre nuove prospettive. Il “metodo Daverio” è applicato in questo caso al Rinascimento. Il periodo fondativo della cultura e dell’arte italiana acquista così nuova freschezza e vivacità, prende le mosse dalla pittura di Giotto, “un fulmine nella storia dell’arte”, e si finish con quel “talentaccio e caratteraccio” di Caravaggio, attraversando los angeles curiosità anarchica di Leonardo, i cagnolini di Tiziano, l’eccentrica sensualità di Parmigianino e i sussulti religiosi di Michelangelo. L’allontanamento dalle categorie canoniche della storia dell’arte e los angeles pratica dello spostamento del punto di vista si rivelano in particolare nelle Daveriologie, pagine nelle quali l. a. curiosità impertinente dell’autore affronta nuove strade di lettura, attraverso accostamenti insoliti, a volte audaci, di capolavori e artisti lontani nel pace e nello spazio.

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Work 1 WS row even. Rep the last 2 rows 2 (1, 2, 3, 3, 3, 3, 3) more time(s) to complete armhole shaping—3 (2, 3, 4, 4, 4, 4, 4) sts dec’d; 22 (24, 26, 28, 29, 31, 32, 33) sts rem when all shaping is complete. 5] cm), ending with a RS row. Shape Shoulder Short-Row 1: With RS facing, k11 (12, 13, 14, 14, 15, 16, 17), wrap next st, turn work so WS is facing, p11 (12, 13, 14, 14, 15, 16, 17). Next row: (RS) Knit, working wrap tog with wrapped st when you come to it. Place sts on holder. Sleeves With larger needle, CO 60 (60, 66, 66, 66, 72, 72, 72) sts.

With a decidedly ethnic flavor, this slightly A-line jacket features a deep U-neckline, half collar, and minimal button overlap. A slip-stitch texture pattern, worked throughout the body and the sleeve cuffs, showcases the handpainted yarn to best advantage. The edgings and ribbed collar are worked in an accent color that helps to define the parts and unify the whole. With an easy fit, this jacket is ideal for layering over whatever style strikes your fancy: narrow-leg pants, a pencil skirt, camisole, tee shirt, long gauzy skirt, or a little sheath dress.

Insert tapestry needle from WS of garment, leaving a 6" (15 cm) tail. Working from RS of garment, use whipstitches (see Glossary) to capture just the edge of the ruffle in place as invisibly as possible. Weave in loose ends. Spritz with water to set seams. 5] cm) bust circumference, buttoned. Jacket shown measures 40¼" (102 cm). Yarn DK weight (#2 Fine). Shown here: Misti Alpaca (83% Peruvian Pima cotton, 17% silk; 327 yd [300 m]/100 g): CSP12 blue-green handpaint (MC), 4 (5, 5, 6) skeins; TPS03 midnight blue tonal (CC), 1 skein.

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