By Armin Vit, Bryony Gomez-Palacio
Via greater than 40 case stories, approximately twenty interviews with skilled pros, and a sequence of (nonscientific) surveys, Flaunt is a source for layout scholars in addition to younger, skilled, freelance, and self sufficient designers. It explains how you can ﬁnd the way to cohesively, succinctly and creatively show off their paintings via an obtainable, potent, and inventive portfolio. Flaunt showcases quite a few possible choices via a range of portfolios that characterize either the most typical methods in addition to a few offbeat executions. with a bit of luck, this e-book can assist ease the anxiousness and burden of constructing a portfolio—and, possibly, even support demystify the method of placing it jointly, in addition to the expectancies of proposing it.
The portfolio case reports characteristic beneficiant amounts of vast and close-up images; deeply precise breakdowns of the fabrics, ideas, and assets it took to create them; and interviews with each one designer.
Interviewed pros contain Michael Bierut, Carin Goldberg, Stefan Sagmeister, Petrula Vrontikis, Adrian Shaughnessy, and others. They proportion the commonest blunders humans make of their portfolios, and supply their top advice.
Surveys solution universal matters like what percentage items may be integrated within the portfolio, how should still first touch be made with strength interviewers, and the way may still the paintings be provided in an interview.
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Extra resources for Flaunt: Designing effective, compelling and memorable portfolios of creative work
Before my ﬁrst interview, I was waiting outside the studio, trying to get up my nerve. A bird ﬂew overhead and shit on the messenger bag I used as a portfolio case—a disgusting smear down the front corner. Incredulous, all I could do was wipe the bag off in the grass and go inside to present. status display approach memories My web site doesn’t necessarily complement my portfolio. If I was looking for a job at a design ﬁrm, I might only show enough work to get them interested in an interview. However, thanks to my web site, I get a lot of work from people I’ve never met before.
Michael Bierut Carin Goldberg Show your work to the person you are presenting to, and not to yourself. Don’t position your work in such a way that you have a clear view of it, but the interviewer has to crane his or her neck to see it. Unless you are sitting side by side with the person interviewing you, this is disastrous. Your work should be placed directly in front of the viewer, and not sideways. It’s glaringly obvious, but the number of young designers who commit this error is staggering. Adrian Shaughnessy Good communication skills in the age of e-mail can’t be overemphasized.
Hard to imagine now. Despite all of my complaints, this book got the ball rolling for me professionally, and Portfolio Center played a huge part in helping to make it happen. These days, it’s rare to see strong craft and good production in student books. When I do, I’m immediately impressed, and more predisposed to taking the time to talk through the work. lastly Even more important than the work itself was the opportunity to tell my story, to talk about what I loved and what I hoped to do as a designer.