Download Filosofia della musica moderna by Theodor W. Adorno PDF

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By Theodor W. Adorno

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Al di sopra di ogni confine geografico, gli epigoni di coloro che furono irriducibili nemici di ogni epigonismo si imitano a vicenda in gracili misture di perizia ed incapacità. Sostakovic, a torto richiamato all'ordine, come l Espressione hegeliana (Die Furie det Verschwindent) [N. d. ]. 12 bolscevico della cultura, dalle autorità patrie, i vispi discepoli della pedagogica governante di Strawinsky, Benjamin Britten con la sua presuntuosa meschinità - tutti costoro hanno in comune il gusto per la mancanza di gusto, la semplicità per difetto di preparazione, un'immaturità che si ritiene ben matura e l'assenza di capacità tecnica.

A quelli che verranno dopo, invece, potrà già andar meglio : se si inseriranno opportunamente nella corrente, potrà capitare che li si lasci entrare. Ma quelli che restano fuori· non sono certo 1 Ungcschchen machen liisst, letteralmente il « rendere non accaduto » degli psicanalisti [N. d. ]. 37 Cedimento dell'« opera » pionieri di opere future, poiché sfidano addirittura il concetto stesso di capacità produttiva e di «opera». L'apologeta della musica veramente radicale, che volesse appellarsi alla produzione già esistente della scuola schonberghiana, rinnegherebbe ciò di cui vuol farsi paladino.

Ma quelli che restano fuori· non sono certo 1 Ungcschchen machen liisst, letteralmente il « rendere non accaduto » degli psicanalisti [N. d. ]. 37 Cedimento dell'« opera » pionieri di opere future, poiché sfidano addirittura il concetto stesso di capacità produttiva e di «opera». L'apologeta della musica veramente radicale, che volesse appellarsi alla produzione già esistente della scuola schonberghiana, rinnegherebbe ciò di cui vuol farsi paladino. Le sole opere che oggi contano sono quelle che non sono piu << opere » : e questo si può scorgere nel rapporto tra i risultati raggiunti da questa scuola e le testimonianze dei suoi inizi.

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