By Johnson Cheu
"Although its early motion pictures featured racial caricatures and solely Caucasian heroines, Disney has, lately, develop into extra multicultural in its filmic fare and its photograph. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the 1st African American princess within the Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy tale three, Disney movies have come to either replicate and influence our more and more diversified society. This essay assortment gathers fresh scholarship on representations of range in Disney and Disney/Pixar movies, not just exploring race and gender, but in addition drawing on views from more recent components of research, really sexuality/queer reports, serious whiteness stories, masculinity reviews and incapacity stories. protecting a big selection of movies, from Disney's early days and "Golden Age" to the Eisner period and present fare, those essays spotlight the social impression and cultural value of the leisure giant."--Provided through publisher. Read more...
summary: "Although its early motion pictures featured racial caricatures and solely Caucasian heroines, Disney has, in recent times, turn into extra multicultural in its filmic fare and its snapshot. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the 1st African American princess within the Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy tale three, Disney motion pictures have come to either replicate and impression our more and more diversified society. This essay assortment gathers contemporary scholarship on representations of variety in Disney and Disney/Pixar movies, not just exploring race and gender, but in addition drawing on views from more moderen parts of analysis, rather sexuality/queer reviews, severe whiteness stories, masculinity reports and incapacity reviews. masking a big selection of flicks, from Disney's early days and "Golden Age" to the Eisner period and present fare, those essays spotlight the social effect and cultural importance of the leisure giant."--Provided by means of writer
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Extra info for Diversity in Disney films : critical essays on race, ethnicity, gender, sexuality and disability
Cambridge: Cambridge University Press, 2008. Saint-Aubin, August F. ” The Journal of Men’s Studies. 10:3 (2002): 247–270. Willis, Deborah, and Carla Williams. The Black Female Body: A Photographic History. Philadelphia: Temple University Press, 2002. Saludos Amigos and The Three Caballeros: The Representation of Latin America in Disney’s “Good Neighbor” Films KAREN S. GOLDMAN This essay examines representations of Latin America and situational Latin American identities in the feature-length Disney films Saludos Amigos (1942) and The Three Caballeros (1945).
Although the bellhop’s appearance is brief, it is significant because Oswald’s world was an anthropomorphic interpretation of reality, one in which Blackness was viewed through the lens of exoticism and societal bias. When Walt Disney lost the rights to Oswald because of his refusal to sign the Universal contract that dramatically cut his salary and impacted his autonomy, the end result was a parting of ways, making room for the emergence of a new Disney character, free from what could be described as animation sharecropping under Universal.
Mickey was also referenced in a Cole Porter lyric for the song You’re the Top (1934) and in a scene from Bringing Up Baby (1938), starring Katharine Hepburn and Cary Grant. 13 Scholar Robert W. Brockway in his article, “The Masks of Mickey Mouse: Symbol of a Generation,” provides additional commentary about the global appeal of Mickey. By 1933 the Mickey Mouse craze was global. George V decreed that there must be a Mickey Mouse cartoon at all film performances attended by the royal family and their guests.