By Alaa Al Aswany
The writer of the highly-acclaimed The Yacoubian development returns with a narrative of affection, intercourse, friendship, hatred, and ambition set in Chicago with a forged of yankee and Arab characters achingly human of their wants and needs.
Egyptian and American lives collide on a school campus in post-9/11 Chicago, and crises of identification abound during this impressive and eagerly expected new novel from Alaa al Aswany. one of the gamers are a sixties-style antiestablishment professor whose courting with a more youthful African American lady turns into a relocating goal for intolerance; a veiled PhD candidate whose conviction within the rules of her conventional upbringing is shaken through her publicity to American society; an émigré whose fervent wish to include his American identification is demonstrated while he's confronted with the difficulty of his daughter's "honor"; an Egyptian informant who spouts non secular doctrines whereas hankering after cash and gear; and a dissident pupil poet who involves the US to finance his literary aspirations, yet whose event in Chicago seems to be greater than he bargained for.
Populated by way of a solid of exciting, true-to-life characters, Chicago bargains an illuminating portrait of America--a advanced, frequently contradictory land within which triumph and failure, chance and oppression, licentiousness and delicate love, small dramas and large desires coexist. fantastically rendered, Chicago is a powerfully engrossing novel of tradition and individuality from the most unique voices in modern global literature.
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Extra info for Chicago
The maid opened the attic window and had a lengthy exchange with a man down below, in the road. He had come for the doctor; he had a letter. Shivering, Nastasie climbed down the stairs and ﬁrst undid the lock, then drew the bolts. Leaving his horse, the man quickly followed the maid and came into the room behind her. He wore a woollen cap with grey pompoms, and from inside it he took a letter wrapped in a piece of rag; this he handed gingerly to Charles, who propped himself up on the pillow to read it.
She was forever consulting lawyers, or the magistrate, remembering when an account was due and negotiating an extension; at home she ironed, sewed, laundered, kept an eye on the workmen and paid their wages, while Monsieur never worried his head about a thing, engulfed in a surly drowsiness from which he roused himself only to mutter some nasty remark, as he sat all day long by the ﬁre, smoking and spitting into the ashes. When she had a child, he had to be sent out to a wet-nurse. Once home again with his parents, the lad was pampered like a prince.
All of a sudden he heard something hit the wall; the shutter had been folded back, the latch was still vibrating. Next morning he was at the farm by nine. Emma blushed when he came in, although she tried to cover her embarrassment with a little laugh. Père Rouault embraced his future son-in-law. They put oﬀ any discussion of money matters, there was plenty of time for that, since the marriage could not decently take place before the end of Charles’s mourning, that is to say, not until the following spring.