Download British Film (National Film Traditions) by Jim Leach PDF

By Jim Leach

Demonstrating the richness and diversity of a countrywide cinema that has generally struggled to outline itself among the paradigms of Hollywood well known movie and ecu artwork cinema, this learn presents finished insurance of British cinema generally in addition to severe discussions of particular films--useful for screenings. each one bankruptcy covers a selected subject and contains certain descriptions of key motion pictures consultant of other historic classes.

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33 The narrative begins in 1978, at a memorial service for Abrahams. Among the congregation are Lindsay and Aubrey Montagu, another member of the Olympic team. Their memories cue a flashback to 1924 that begins with a shot made famous by the film's publicity: the men of the Olympic team running on a beach to the accompaniment of the theme music by Vangelis. A voice-over by Montagu, reading from a letter to his parents, reveals that the athletes will soon leave for Paris and cues a further flashback to 1919, when Montagu arrives at Cambridge and meets Abrahams at the station.

1? The main target of this xenophobic outburst was Alexander Korda, a Hungarian-born producer who came to Britain in 1931 and quickly became a leading producer who frequently employed fellow refugees from the political turmoil in continental Europe. 16 Korda had been makingfilmssince 1914,firstin his native Hungary and then, after hefledthe fascist regime there, in Austria, France, and the United States. Shortly before coming to Britain, he affirmed his commitment to filmmaking as an international endeavor: "It is no use thinking about making little pictures.

When Friese-Greene first succeeds in projecting moving images, thefilmplayfully suggests that the cinematic apparatus is a product of illicit desires that run counter to a national culture based on restraint and inhibition. Working alone in his laboratory in the middle of the night, Friese-Greene rushes jubilantly into the street where he meets a policeman (Laurence Oli30 The Magic Box: What Is British Cinema? • 31 Figure 8. The eyes of the law: A policeman (Laurence Olivier) watches as Friese-Greene (Robert Donat) projects the first moving pictures in The Magic Box.

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