Download Array The Magic Solution by Gilles Bechard PDF

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By Gilles Bechard

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Immagine Il gioco meta-letterario de I Tenenbaum è evidente ed esplicito fin dal prologo che si apre sulle pagine di un romanzo dal titolo omonimo, quasi il film ne fosse l’adattamento cinematografico. Anderson dichiara in molte interviste che il personaggio di Richie Tenenbaum è nato da un’immagine molto semplice: quella di un giovane tornato in città che aspetta alla stazione qualcuno che lo venga a prendere. La scena che ne ha poi sviluppato, e che vede l’apparizione di Margot, riprende quasi fedelmente il passaggio di Franny in cui la protagonista incontra alla stazione dei treni il proprio ragazzo, Lane: Franny fu tra le prime a scendere dal treno, da un vagone all’estremità nord del marciapiede.

James Caan in Bootle Rocket (1996) Spero che il tetto voli via e che io venga risucchiato nello spazio. Staresti meglio senza di me. Bill Murray in Moonrise Kingdom (2012) Immagine Il cinema di Wes Anderson è veramente tutto qui. Plateale e insicuro. Un metronomo (apparentemente) perfetto che segna la fragile e bipolare oscillazione tra le sfumate regole del “sogno” e l’infantile senso di “vuoto” cosmico che improvvisamente ci risucchia. L’umanissimo vuoto che si nasconde dietro ogni regola. ).

Bill Murray in Moonrise Kingdom (2012) Immagine Il cinema di Wes Anderson è veramente tutto qui. Plateale e insicuro. Un metronomo (apparentemente) perfetto che segna la fragile e bipolare oscillazione tra le sfumate regole del “sogno” e l’infantile senso di “vuoto” cosmico che improvvisamente ci risucchia. L’umanissimo vuoto che si nasconde dietro ogni regola. ). Insomma: un universo parallelo (quella perfetta trappola, “tana delle volpi”, analizzata da Aldo Spiniello) che fagocita innumerevoli riferimenti culturali novecenteschi partorendo, paradossalmente, una stilizzata messa in scena che ne esalta l’originalità della superficie.

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