Download Antonio Saggio by Peter Eisenman PDF

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By Peter Eisenman

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Il successo della formulazione si basa su una serie di assonanze che fanno "orecchio" ma, in realtà, si tratta di malintesi. Da una parte rimanda all'esperienza dei costruttivisti russi cui, senza alcun dubbio, alcuni tra gli architetti citati guardano (ma non Eisenman, né Gehry). , (perché il costruttivismo russo e poi il Suprematismo sono estetiche che disassemlano per poi assemblare volumi e forme con estrema e dinamicissima libertà). Il legame sintattico, è tutt'altro che decostruttivo ma in particolare come (Tschumi e Hadid), quasi letterale: l'unica cosa che i decostruttivisti decostruiscono di quella esperienza è il valore politico-ideologico che Tatlin Ginzburg Chernikhov e Leonidov attribuivano al loro lavoro nella temperie rivoluzionaria della rivoluzione bolscevica.

4. Il "tra" La realizzazione dello Wexner center for Visual Arts a Columbus, si completa nel 1989, ma nasce da un concorso ad inviti nel 1983. Eisenman incunea tra gli edifici esistenti del campus una struttura reticolare tridimensionale che da spazio di risulta diventa il nuovo fulcro simbolico e funzionale del progetto. Malignamente si mormorerà che la fittissima rete di relazioni pubbliche intessuta sin dagli anni Settanta comincia a dare i suoi frutti: in questo caso con l'affermazione nella Competizione.

Ancora il "tra ". Eisenman transfuzionalista?. Ormai siamo consapevoli che il problema di questi anni non è quello di basarsi su presunte certezze, su dogmi e regole, ma quello di porci, le giuste domande.

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