By Nathan Gardels
This brilliant little e-book explores the function people media in overseas coverage, not just at the moment second, yet with a watch to the future.Written via a veteran Hollywood movie govt and an across the world recognized columnist in international affairsExplains how American videos, television exhibits, and dad track give you the photographs of the US to the remainder of the realm, and the remainder of the realm to AmericansIncludes discussions of the cartoons of the Prophet Mohammed Danish day-by-day newspapers, Tibetan clergymen censored out of chinese language television information studies merely to teach up on You Tube, and the Vatican's attack at the Da Vinci Code movieArgues that Hollywood is a key participant within the 'deep coalition' required to aid a 'smart strength' overseas coverage and construct a world cultural infrastructure that would make the area secure for interdependence
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Extra info for American Idol After Iraq: Competing for Hearts and Minds in the Global Media Age
Moïsi, D. ” Financial Times, June 9, 2008. Oates, J. C. ” The Atlantic, November 2007. Scowcroft, B. ” New Perspectives Quarterly, vol. 24, no. 4, pp. 31–4. Ebadi, S. ” New Perspectives Quarterly, vol. 21, no. 3, pp. 11–12. Smale, A. S. ” New York Times, March 13, 2008. Blitz, J. ” Financial Times, November 6, 2007. Gapper, J. ” Financial Times, May 14, 2008. Gatsiounis, I. ” YaleGlobal, February 7, 2008. Bayles, M. ” AEI Online, December 4, 2006. Bayles, M. ” AEI Online, December 4, 2006. ” The Economist, February 2, 2008, 65–6.
As Josef Joffe, the publisher of the German weekly Die Zeit, has put it: “Between Vietnam and Iraq, America’s cultural presence has expanded into ubiquity, and so has resentment of America. Soft power does not necessarily increase the world’s love for America. ”24 The flipside of this backlash is the robust cultural competition that is part and parcel of the growing civilizational confidence that comes along with the new-found prosperity globalization has wrought, notably in Asia. Increasingly, audiences want to be entertained more by their own myths and stories, soaps and epics, as they have for so long in India, not just by those produced in America.
9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. The Magic is Gone Gardels, N. ” Huffington Post, July 14, 2008. Moïsi, D. ” Financial Times, June 9, 2008. Oates, J. C. ” The Atlantic, November 2007. Scowcroft, B. ” New Perspectives Quarterly, vol. 24, no. 4, pp. 31–4. Ebadi, S. ” New Perspectives Quarterly, vol. 21, no. 3, pp. 11–12. Smale, A. S. ” New York Times, March 13, 2008. Blitz, J. ” Financial Times, November 6, 2007. Gapper, J. ” Financial Times, May 14, 2008. Gatsiounis, I. ” YaleGlobal, February 7, 2008.